Cinematic Universes are the big thing these days. Or they're trying to be.

The Marvel Cinematic Universe is expanding to further-flung corners all the time: I couldn't believe some of the “cosmic” characters who appeared in the Guardians of the Galaxy volume 2. Characters I would have thought ...

CATHARSIS
from the Best of Banes Collection


A writing instructor once gave me brief advice on how to write a story, structurally speaking. It was 1/4 Act One setup, 1/2 Act Two complications and rising stakes (I think), and about 1/4 An Act Three “cathartic ending”.

I ...

THE LAST PART!

Part One:
http://www.theduckwebcomics.com/news/2017/may/10/the-comedy-plot-toolbox-edition-part-one/

Part Two:
http://www.theduckwebcomics.com/news/2017/may/17/the-comedy-plot-toolbox-edition-part-two/

Part Three:
http://www.theduckwebcomics.com/news/2017/may/17/the-comedy-plot-toolbox-edition-part-three/


This is it! Part Four of the “Comic Toolbox” approach to comedic story structure ...

LISTEN!
Art by Ozoneocean

In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga ...

So here we are after the brief intermission, back to talking about archetypes from our friend Jung.
As of course is natural, all stories have to have a plot in order to be engaging and be in a position to make their points and get them across because the alternative ...

As all y'all probably are well aware, I am a hilarious genius. All cartoonists are hilarious geniuses; we have to be! Well, half the time anyway- the other half we spend hating ourselves and overcompensating for our inadequacies. It's a storied and well-documented tradition dating back to the ...

Welcome to part two of a twenty-seven part series about outlining simple comedy plots!

Who is the Hero
What Does the Hero Want?
The Door Opens
The Hero Takes Control


So last week we went over the first two items. A particular character who wants something on a surface level ...

LISTEN!

Drawing in public can be a pain! You really need to find somewhere comfortable, with lots of space, good lighting, and the right atmosphere to be able to settle down and work on your drawings… It can be tricky to find just the right posy. But it also depends ...

Hello again!

I'm gonna continue for the next two or three weeks about “The Comedy Toolbox” approach to comedy structure.

There is quite a bit of crossover between this method and other methods you've heard of. But that's probably a good thing; there should be some similarity ...

Typically I work on my comics and illustration at home in my studio. I know I'll have everything I need on hand, for one. Also I hate and mistrust almost everyone and everything, as working in the service industry for the majority of my adult life has left me ...