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We're talking about how religion is portrayed in fiction and a bit about WHY. This was a surprisingly fascinating topic. I came up with the idea ...

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This week we look at the famous quote by respected film director Martin Scorsese that “Marvel movies aren't Cinema” and also the quote by fellow director ...

It so happens that as I write these lines, I have a terrible headache. So I can't gather my thoughts enough for the third installment of my discussion of motivations and ideologies and actions, but I think I'm good to write what I'd promised- my review of ...

Nowhere to Hyde

Last time we talked about characters who are not what they seem. Folks who are introduced one way but are revealed to have a secret nature, or hidden depths, or a hidden agenda.

Another type of “hidden side” I enjoy is a little less universal, but can ...

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Where does your main audience come from? And how do you change your work to accommodate them?

For a lot of us it's north Americans (mainly ...

edward norton in “primal fear”

One of the things I like in fiction is characters who are not what they seem.

Like all things, this sort of thing can be done well, or badly, or somewhere in between. It can be fascinating and surprising, or cliche and predictable. It can ...

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Storytelling styles change over time for various reasons: fashion, audience expectations, competition for audience attention due to increased choice and availability of media, technological limitations and abilities ...

Full House is a slice of life comic about two sets of siblings and their quirky arguments. One pair of siblings, Hakeim and Haykal, has a story that is somewhat meta as the characters in the comic are currently in the process of creating their own comic. On the other ...

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“Toxic fans” is a bit of a catch cry now and that has seemed to turn into the idea that any fan who is critical of something ...

Last week, we took a look at what a prologue was and how it could be used. Just to catch you up, a prologue is an opening of a story, or in this context, a comic, that establishes the scene, theme and/or tone of the rest of the narrative ...