Ozoneocean suggested this topic, and I am intrigued to explore it.

I've made a good few posts about assorted drama in the comic world, especially between different factions and concerning different approaches to the art. Often that is addressed from a strictly ideological point of view. But today I ...

The lifeblood of your comic is the characters in it. They offer a way for the audience to be invested in the world and contextualise any conflicts that will inevitably occur. So it is important that the characters don’t come across as flat. A flat character is one dimensional ...

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Today we compare and contrast two ways of making characters: starting with a pure archetype and building it with tropes, or creating a character organically through circumstance ...

So, full disclosure: I am spoiler immune.

I don't really care if I know how a story ends, or where the twist is. I might even enjoy it more as I anticipate it. I will watch the movie without issue and still enjoy it just as much.

Granted, when ...

Creating a webcomic is a multi-faceted endeavour. There are many moving parts from writing to drawing to managing social media accounts and everything in between. For me, there are some parts of the process I like and some which I really struggle to find motivation to do, particularly when life ...

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Tantz's clever idea was that the weather isn't just a backdrop… it's an important prop in it's own right.
Weather can be used ...

So the weather is very important. We all know that from our real life routine alone.

There is often a tendency, however, not to use it when it comes to the visual narrative that webcomics are. More often than not, the weather is basically perpetually clear. Daylight or moonlight are ...

It’s very easy for us comic creators to find ourselves in a creative rut. We become so lost amongst the trees we can no longer see the forest. When this occurs it’s a great opportunity to look for feedback as a fresh pair of eyes can help elucidate ...

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Sometimes your audience just doesn't pick up on the clever symbolism, the hints, the metaphor, the underlying themes and all the artistic cleverness in writing and ...

Time travel is a narrative trap. It's quicksand.

It's very alluring to use, being able to put a person from one historical era into another and watch as shenanigans ensue, but very quickly, a writer (and often the audience too) discovers that it quickly unravels, and the story ...