“Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in”
― Ray Bradbury, Dandelion Wine

The school year ended last Thursday and I have already ...

image by Ben Burgraff

When writing a historical fiction, it's very likely that you will need to include some actual historical personalities along with your historically-adept yet fictional cast.

Depicting a historical character is hard enough when there's a general consensus among historians and popular belief about who ...

Sometimes you aim for a target and you miss– but you end up with a hit anyway in an unexpected place.

When starting a new project usually the target audience is clear, people like ourselves. After all, an author usually likes their own work and has a target reader similar ...

How to Pick, Research and Implement Mental Disorder in a Character

So last time I talked in general about some basic concepts and principles about what constitutes mental illness, or, more accurately, mental disorder. The important thing to remember and keep from all of that is this set of truths ...

Writing a character with mental illness can be a very tricky thing. Writers usually go for the extremely rare, exotic and spectacular: multiple personality disorders, extreme manifestations of psychopathy or sociopathy, high functioning autism with that ever alluring ‘savant’ magic going for the character, bombastically spectacular schizophrenia… in many ways ...

Last weekend we discussed that strange phenomenon of independent creation, where there's more than a passing resemblance to another work but it's not a case of plagiarism. Interestingly, not long after I posted that I saw not one but two instances of independent creation being brought up (though ...

When creating a story, either for comics or novels, the easiest parts to write are usually the beginnings and ends because hell ,they’re the fun bits right? You burst out of the gate, ready and raring to go, your gaze on that sweet, sweet finale but there’s a ...

We are creators and as creative types, we sometimes reach a level with our skills that people are willing to spend money to own an original piece of work by us. If you are anything like me, then clientele is limited to family and friends and monetary charges are thrown ...

LISTEN!

In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the ...

LISTEN!

This week we talk about maintaining suspension of disbelief: the way you have to convince people of the world your story is set in and keep them there. Everything you do is done for that, to convince them your characters make sense and the world works. There's a ...